Participants will learn about and experience firsthand artistic methods for exploring identity and diversity using hair as an example. Hair can be a distinctive or fashionable accessory, yet it also brings up issues like race, class and gender at the same time. Whether covered or styled in braids, dreadlocks, extensions, fringes, faux-hawks, perms or pigtails, hair carries with it a political, sexual, historical and social significance that contributes to the formation of identity. Participants will engage narratively and participatively with hair as a raw and reflective material for artistic and creative work, developing skills for an experimental applied social design practice.
They will roll up their sleeves and delve passionately, playfully and reflexively into the subjects of identity, intimacy and body hair practices. Participants will push wigs aside and broaden their perspective of themselves and their living environment with creative, social and sculptural experiments.
In this format, participants will gain experience in artistic and cultural design processes and navigating tonality and performance. They will learn open-ended, experimental processes for fostering diversity and inclusion which they can integrate into their work with people. The goal is to foster a material and sensory dialogue, speculative encounters with others and the other. Participants will work in a studio located in a neighbourhood in flux: it is a multicultural melting pot steeped in historical social structures that have developed over time. There is a high density of barber shops and hairdressers and an incredibly diverse mix of people and those people’s cultural resources, which manifest themselves in many ways, one of them being how they treat hair and its sociocultural sites.
Danielle Dreier is a lecturer in Accessory Design and Project Work in the BA programme and in the MA Studio Fashion Design at the HGK FHNW. She views design as a constructive interface that connects things and promotes sustainable processes. She grapples with cultural resources and techniques, and initiates her own design and production processes that critically question fashion in a playful, experimental and interdisciplinary way, and that extend it as a medium for expression, embodiment and sociality into creative design practices. All with the aim of fostering a material non-hierarchical dialogue with the other.
Martina Siegwolf works as a lecturer in Arts Education and a diversity officer at the HGK FHNW. She graduated with a degree in Art Studies, Cultural Anthropology and History and went on to teach at various levels in different schools for several years. After that, she served as director of the Teaching and Education department at the Kunstmuseum Basel|Gegenwart, where she curated exhibitions, pioneered art and education projects in the performance, art, social and activist field, and developed different teaching formats. She has played an active role in Werkraum Warteck pp since its inception. She has been practising socially sculptural processes, artistic and creative activities, and education as empowerment with different people in varying constellations for many years. She was awarded a Museumsstern prize in 2007 for her work in museums with teens from the University Psychiatric Clinics (UPK) Basel.
The continuing education programme of the Institute of Arts and Design Education aims to broaden participants’ perspective of their own artistic work and shared creative endeavours with others. Participants will be introduced to creative educational strategies, and acquire the ability to make creative debates effective for social processes. Both the weeklong continuing education courses and the optional one-on-one coaching sessions integrate methods from the fields of education, the fine arts, arts education, performance and other participatory practices. The improvement of artistic, creative and communication skills can help pave the way for more equal opportunities. Social inclusion, as one of the main conditions of equal opportunities, requires good communication and cultural competences – and it is these competences that artistic and creative educational strategies can do an excellent job at cultivating. By strengthening artistic and creative competences, we not only increase the realms of possibility for design, but also for communication, social interactions, the strengthening of social structures, personal expression and the experience of self-efficacy.
Participants will - gain experiences navigating their own forms of artistic expression, - acquire the ability to structure artistic and creative processes, - acquire skills that prepare them to deal adeptly with various methods, digital and otherwise, for teaching art and design and their application in social practice, - learn to kick-start debates on creative processes in various social structures by way of artistic and educational strategies, - deepen their knowledge of various communication and digital skills, - acquire know-how about networking art and education with a variety of target groups, - gain experiences that help integrate artistic and cultural processes as open and experimental processes into their work.
No prior artistic or technical experience is required. The workshops are open to all people who work in social contexts: people who teach, mediators, social work professionals from the healthcare sector, healthcare assistants, coaches, team builders, and people interested in art, design and culture.
When participants complete five workshop weeks, each worth 2 ECTS credits, paired with subsequent one-on-one mentoring on their own project worth 5 ECTS credits, as well as five one-on-one 90-minute coaching sessions, they qualify for the “Kunst kann” Certificate of Advanced Studies (CAS) from the HGK FHNW.
Mentoring project programme to obtain the “Kunst kann” CAS: CHF 3,500.– Reduced tuition fees for students upon request.
Institute of Arts and Design Education (IADE)
Art and design, and imparting their contents open up new ways of perceiving and shaping the world. Learning in art and design is marked by an intense experience of self-agency and dealing with highly diverse contexts.
Hochschule für Gestaltung und Kunst FHNW Institut Vermittlung von Kunst und Design (IADE) Freilager-Platz 1 Postfach CH-4002 Basel
Institute Art and Design Education (IADE)
FHNW University of Applied Sciences and Arts Northwestern SwitzerlandAcademy of Art and Design,
Institute Art and Design Education (IADE)
Building: A 1.18Oslo-Strasse 3CH - 4142 Münchenstein near Basel