REWORKINGS - Musical Re-Elaboration and Cultural Context herausgegeben von Pedro Memelsdorff
Inhaltsverzeichnis
- Pedro Memelsdorff: Reworking ideas on Reworkings. Reflections on a 2014 Symposium
- A ndrew Hopkins: Reworkings: From the Basilica to the Biennale
- Marco Rosa Salva: Riducendo la maggior parte dell’arie dell’opera in canzon da battello. Examples of aria transformations in a 18th-century Venetian music manuscript and its related sources
- João Pedro d’Alvarenga: Allo stile dei musici di questa nazione: Balancing the Old and New in Portuguese Church Music from the 1720s and 1730s
- Johannes Menke: Reworking Carissimi: Händels Bearbeitung des Schlusschores aus Jephte im Oratorium Samson
- Nicola Usula: From Jason to Jason: Cavalli Reworked by Stradella (Venice 1649 – Rome 1671)
- Jeffrey Chipps Smith: Staging Faith in South Germany: The Triumphal Reworking of Catholic Devotional Spaces around 1600
- Alexander J. Fisher: Reworking the Confessional Soundscape in the German Counter-Reformation
- Sylvia Huot: Monster, Lover, Poet, Saracen: Polyphemus in Late Medieval French Literature
- Felix Diergarten: „Vient a point ton bordon“. Art-Song Reworking im Codex Ivrea
- Anna Zayaruznaya: Evidence of Reworkings in Ars nova Motets
- Katelijne Schiltz: Tradition – Novelty – Renewal. The Presence of the Past in 20th-Century Music
Bestellmöglichkeit für das Basler Jahrbuch für Historische Musikpraxis XXXVIII · 2014
