the Song, Obrecht’s Mass, and the Basel Connection. Dimensions of Style, Context, and Performance
Kleiner Saal, Musik-Akademie Basel, Leonhardsstrasse 6, 4051 Basel Eintritt frei, Gäste willkommen | ||
9.00 | Opening notes Martin Kirnbauer (SCB) | |
9.15 | A memorable song and the cosmos of its settings: Composing and performing a cantus firmus Birgit Lodes (Wien), Fabrice Fitch (Glasgow) | |
10.15 | Coffee Break / Pause | |
10.45 | The Maximilian/Constance and the Basel connection: Two hypotheses Birgit Lodes (Wien), Grantley McDonald (Wien) | |
11.45 | Choirbook versus partbooks: Pros and cons for the performance Stratton Bull, Marc Busnel, Peter de Laurentiis (Cappella Pratensis) | |
13.00 | End of the Study Day | |
Evening before: Thursday 30th March | ||
18.15 | Introductory lecture: «Basel 1507: Mewes memoriert Obrecht. Zur Missa Maria zart» Prof. Dr. Birgit Lodes (Wien) Musikwissenschaftliches Seminar der Univ. Basel, Petersgraben 27 Eintritt frei / free admission; in Cooperation with the Schweizerische Musikforschende Gesellschaft - Ortsgruppe Basel | |
19.30 | Concert «Jacob Obrecht. Missa Maria zart», Cappella Pratensis, dir. Stratton Bull Peterskirche Basel Ein Konzert der Freunde Alter Musik Basel | |