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Logo of the University of Applied Sciences and Arts Northwestern Switzerland
  • Degree Programmes
  • Continuing Education
  • Research and Services
  • International
  • About FHNW
DeEn
Locations and ContactFHNW LibraryMedia Relations
Studying Musi...
Te...
Teaching staff & In...
Theory, historical and music pra...

Theory, historical and music practical subjects, didactics and management

Historical theory of movements, theory course historical performance practice

  • Johannes Menke

    Dozent für Theorie der Alten Musik, historische Satzlehre und Fachdidaktikdozent Musiktheorie

  • Markus Schwenkreis

    Dozent für Improvisation

  • Prof. C. Federico Sepúlveda

    Member of the Management Board, Head of Programmes Master in Music Performance, Specialized Masters Improvisation and Thoroughbass, MAS AVES, Scholarships

  • Florian Vogt

    Professor für Theorie für alte Musik, historische Satzlehre

Ear training, historical tunings

  • Prof. Ralph Bernardy

    Dozent für Pflichtfach Gehörbildung

  • Johannes Keller

    Lecturer for historical intonation Head of extracurricular exchange projects

  • David Mesquita

    Professor für Gehörbildung, Blattsingen, Historische Satzlehre Renaissance-Romantik

  • Prof. Baptiste Romain

    Dozent für Fidel, Renaissance-Viola da gamba, Gehörbildung, Modale Improvisation

Music history, notation, instrumentation, performance practice

  • Professor Jörg-Andreas Bötticher

    Professor für Cembalo

  • Dr. Christelle Cazaux

    Dozentin für Musikgeschichte, Wissenschaftliche Mitarbeiterin, Mikrofilmarchiv SCB, Leiterin SNF-Projekt

  • Prof. Dr. Martin Kirnbauer

    Head of the Management Board 2024-26, Head of Research Schola Cantorum Basiliensis, Head of Programme Theorie Alter Musik, Lecturer for Music History

  • Thomas Leininger

    Dozent für Aufführungspraxis, Nationalstile und Generalbaß (Haupt-/Nebenfach)

  • Prof. Marc Lewon

    Dozent für Plektrumlaute und mittelalterliche Zupfinstrumente, Musikgeschichte, Instrumentenkunde (Mittelalter-Renaissance)

  • Angelika Moths

    Dozentin für Notation Klassik

  • Dr. Martina Papiro

    Lecturer in music history, research assistant, co-editor of the SCB research portal

  • Prof. Dr. Agnese Pavanello

    Dozentin für Musikgeschichte, Wissenschaftliche Mitarbeiterin Forschung SCB

  • Sven Schwannberger

    Dozent für Improvisation, Aufführungspraxis

  • Uri Smilansky

    Professor for Notation

Gregorian chant

  • Prof. Kelly Landerkin

    Member of the Management Board SCB, Head of Programmes Bachelor and Master Medieval-Renaissance and Master Music Pedagogy

Dance

  • Hubert Hazebroucq

    Lecturer for Renaissance Dance

  • Barbara Leitherer

    Dozentin für Historischer Tanz

Subject didactics

  • Johanna Bartz

    Dozentin für Traversflöte

  • Julian Behr

    Lecturer for lute, Pflichtfach thoroughbass for lute, didactics

  • Professor Jörg-Andreas Bötticher

    Professor für Cembalo

  • Germán Echeverri

    Fachdidaktik Violine in Alter Mensur

  • Sebastian Goll

    Dozent für Pflichtfach Gesang, Gesangsmethodik und –didaktik, Vokalensemble

  • Jean-François Madeuf

    Professor für Naturtrompete

  • Flora Papadopoulos

    Lecturer for historical harp, Pflichtfach thoroughbass for harp, didactics

  • Rebeka Rusó

    Assistenz für Viola da Gamba

  • Lea Sobbe

    Dozentin für Blockflöte, Fachdidaktik

  • Pierre-André Taillard

    Dozent für Klarinette

  • Letizia Viola

    Didactics of bassoon

  • Philipp Wagner

    Fachdidaktik Barockoboe

Music Management and Career Studies

  • Prof. Christian Hilz

    Member of the Management Board, Head of Programme Bachelor Renaissance-Romantic and Specialized Master historical performance practice, Advanced Studies, lecturer for Lied, vocal ensemble music and cultural entrepreneurship

  • lic. phil. Brigitte Schaffner Senn, MAS

    Member of the Management Board SCB, Head of Administration, Lecturer for Cultural Entrepreneurship

Degree Programmes

Study Programme Schola Cantorum Basiliensis
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