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      MA Composition / Music Theory
      Early Music Theory

      Studying Music at Basel Academy of...
      Schola Cantorum Basilie...
      Master of Arts in Composition / Music Theory - Early Music Theory

      Master of Arts in Composition / Music Theory - Early Music Theory

      Key data

      Degree
      Master of Arts FHNW in Komposition und Musiktheorie - Studienrichtung Theorie der Alten Musik
      ECTS points
      120
      Study start
      in autumn
      Duration
      4 Semester
      Teaching language
      Deutsch (level B2 is required)
      Place
      Campus Musik-Akademie Basel
      Application fee
      200 CHF
      Semester fee
      750 CHF for Swiss citizens and foreigners with legal place of residence in Switzerland | 1000 CHF for students from EU-/EFTA-countries | 1250 CHF for students from third countries
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      Studying under the pioneers of historically informed music theory

      In the 1970s the Schola Cantorum Basiliensis began developing a programme in the theory of Early Music which takes account of not only the particular conditions under which musical “works of art” were created but also the bearing that musical practice had on this process. This approach, based on historically informed and open engagement with Early Music scores and traditional composition techniques, has also made a major contribution to the advancement of music theory beyond the Schola Cantorum Basiliensis. In recent years, Early Music Theory has been the driving force behind a fundamental shift in analytical and practical approaches to music in general.

      Experimental engagement with historical ways of thinking and the experience with the compositional process bring the subject of historical performance practice to life in a vibrant and informed way. The study programme also focuses on the interaction between written and oral musical practice.

      This Master’s programme covers a wide variety of focal points – from the earliest written evidence of polyphonic music in Europe right through to the 1850s. The curriculum also touches on areas of traditional music theory and provides the foundations for an historically informed theory of later music. Key subjects include historical composition techniques, notation, thoroughbass, improvisation and Contrapunto alla mente (improvised counterpoint). These are supplemented with other courses offered by the Musicology Institute of Basel University. The programme also places particular emphasis on students’ teaching abilities, and the capacity to write and speak on the subject in a clear and competent way.

      Overview

      Learning outcomes

      This Master’s programme offered by the Schola Cantorum Basiliensis is aimed at students who have successfully completed a music theory study programme at university level and who are interested in furthering their knowledge by learning about the special conditions which apply to the Theory of Early Music.

      Target audience

      Graduates of this Master’s program are qualified for a variety of types of work as teachers of music and teachers of Music Theory at primary and secondary level, at music schools and in higher education. They are equipped with special analytical ‘tools’ that are useful not only for theory development, but also for their own musical practice: from performance practice to dramaturgy, concert presentation and management, and also for careers in journalism and the media.

      Study Course Regulation / Structure / Module descriptions

      Study Course Regulation

      Study Course Regulation MA Composition/Music Theory – Early Music Theory in German

      Structure

      Structure MA Composition/Music Theory – Early Music Theory in German

      Module descriptions

      Below please find the link with all the information on the module descriptions of several FHNW universities.

      • At the top right, switch the language settings to English.
      • At the bottom right, filter by semester, Hochschule für Musik Basel FHNW, the desired degree programme or other criteria to display the relevant module information.
      • Use the PDF button at the top left to call up a document from each overview and save it for yourself.
      • Course registrations are made via the intranet.
      Admission

      To be admitted to the Master’s programme, applicants must hold a Bachelor degree in Music/Music and Movement or an equivalent qualification.

      Applicants who have failed any part of their Bachelor degree programme may be provisionally admitted to the Master’s programme under the condition that they successfully resit the relevant exam(s) by the end of the first MA semester. In order to be accepted for study, enough billable ECTS credit points must be available to fulfil all requirements of the diploma programme. For the Master's degree the minimum is 30 ECTS credit points. Applicants must declare any ECTS credits they have acquired from a previous course of study that they had failed to complete.

      The admission procedure requires applicants pass an aptitude test.

      The admission procedure breaks down as follows:

      1. Verification that the applicant meets all formal admission criteria
      2. Admission to the aptitude test
      3. Aptitude test (entrance exam)
      4. Decision on admission.

      Admission shall be granted for the academic year to which the aptitude test applies. This test may be retaken no more than once per degree programme/major, but no earlier than the next official aptitude test date.

      Places on the degree programme are limited; a quota is set for first-year admissions. Based on the framework regulations governing student intake restrictions for Bachelor and Master’s degree programmes at the University of Applied Sciences and Arts (FHNW), the FHNW Academy of Music shall make its final selection based on the level and comparative ranking of the applicants' examination results.

      For further information on the admission criteria, please see the Study Course Regulation MA Composition/Music Theory – Early Music Theory in German

      Entrance exam

      The entrance exam consists of an on-site assessment including an interview.

      Persons unable to take an on-site assessment for visa, financial or environmental (long distance travel) reasons may submit a request for an online entrance assessment (video presentation and live interview). This request must be sent to scb.hsm@fhnw.ch at the same time as the application (by 31 January), stating the reasons, and must then be approved by the management.

      The entrance exam (information in German only) is divided into two parts: a general ear training examination and a Major-specific examination. Both last 20 minutes.

      Date

      The on-site auditions will take place between mid-March and mid-April. The exact dates may be seen here after the beginning of January.

      Registration

      You may apply from 15 December until 31 January.

      The following documents must be handed in with your application: Curriculum Vitae including motivational letter, school leaving qualification (Matura, Abitur, Baccalauréat, High School-Diploma) and Bachelor Diploma. If the applicant already holds a Master Diploma, please include.

      Announcement of the results

      The results of the first round will be communicated by email by the end of February.
      The results of the second round will be communicated by email in the beginning of May.

      Links / Downloads

      Quicklinks

      • Welcome: A brief overview
      • Studying in Switzerland
      • Tuition fees & Financing
      • Scholarship
      • Module descriptions

      Files and Regulations

      • Dates Entrance Exam on-site
      • List of works for Entrance Exam on-site
      • Regulations
      • Semester dates
      Schola Cantorum Basiliensis

      Schola Cantorum Basiliensis

      Internationally renowned institute for early music.

      No social media links available.

      Degree Programmes

      degree programmes Schola
      null null
      Studierendenadministration Schola Cantorum Basiliensis
      Telephone

      061 264 57 42 (undefined)

      E-mail

      scb.hsm@fhnw.ch

      Address

      Leonhardsstrasse 6 4009 Basel

      Room

      4-102

      Availability

      Telefonisch und per E-mail zu Bürozeiten. Sprechstunden: Montag bis Donnerstag: 10:30 - 11:30 Uhr 14:30 - 15:30 Uhr Freitag: 10:30 - 11:30 Uhr

      Martin Kirnbauer

      Prof. Dr. Martin Kirnbauer

      Head of the Management Board 2024-26, Head of Research Schola Cantorum Basiliensis, Head of Programme Theorie Alter Musik, Lecturer for Music History

      Telephone

      +41 61 264 57 41 (undefined)
      +41 61 264 57 57 (undefined)

      E-mail

      martin.kirnbauer@fhnw.ch

      Address

      Schola Cantorum Basiliensis, Leonhardsstrasse 6, 4009 Basel

      Room

      4-206

      hsm_tam_scbhsm_kreation,komposition,improvisationhsm_musikpädagogikhsm_musiktheoriehsm_research

      Study Place

      Hochschule für Musik Basel FHNW, Klassik

      Fachhochschule Nordwestschweiz FHNW
      Hochschule für Musik Basel FHNW, Klassik

      Leonhardstrasse 6

      4009 Basel

      Phone+41 61 264 57 57

      E-Mailhsm@fhnw.ch

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