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MA Composition/Music Theory | Audio Design, Basel Academy of Music

Basel Academy of Music


  • Music
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  • Studying Music
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All degree programmes
HSM_Klassik_MA_Audiodesign_Fluidics_Timothy_Shatny_2025.jpg

Creative music technology and electronics in the unique environment of sonic space basel and Elektronisches Studio Basel. National and international collaborations in the context of more than 50 public performances each year guarantee innovation, artistic excellence and a high level of networking opportunities based on a modular, diverse and collaborative working structure.

What is the sound of new compositions? What is possible? The video shows extracts of the performance-recital of Tim Shatnyy, a graduate of this study programme, at Gare du Nord. – Tim Shatnyy (*2002): Fluidics (2025)

Factsheet

Degree
Master of Arts FHNW in Komposition/Musiktheorie, Studienrichtung Audiodesign
Study mode
Full-time
Learning environment
Onsite
ECTS points
120
Duration
4 semesters
Language
Teaching language German, B1 level required
Staying abroad
Possible
Application fee
200 CHF
Semester fee
750 CHF (CH) | 1000 CHF (EU/EFTA) | 1250 CHF (Not-EU/Not-EFTA)

At a glance

  • Students can choose from three focus areas
  • Composition and interpretation of electroacoustic music
  • Recording/production
  • Audio design and software development

Why study this?

Our programme offers comprehensive guidance with electronic music projects, supporting students from idea to completion with excellent production opportunities at the Electronic Studio Basel. Through a variety of tailor-made modules, we foster an environment that encourages individual expression and actively promotes innovation and authenticity in every project.
We further advance students’ development by preparing them for real-world scenarios in the arts and music industry, through direct interactions with field experts and possibilities of showing their work on and off the campus.
By enabling collaboration within the sonic space surrounding (Performance, Composition, Open Creation, Research), we aim to inspire collaborative and interdisciplinary creation and provide students with a possibility to broaden their perspective.

Holders of a FHNW Master of Arts in Composition/Music Theory with an Audio Design Major should be able to carry out the following activities to the highest professional standard:

  • compose, produce, perform electronic music;
  • perform electronic music, in particular deliver live performances of electronic music in the context of concerts, installations etc.;
  • compose and design film/video audio tracks (incl. music, sound effects, speech);
  • devise, design and develop sound installations, electronic game interfaces and interactive environments;
  • record and produce any genre of music in a professional recording studio;
  • devise and develop music software to generate, transform and analyse sound.

Future fields of work are wide-ranging and include the independent arts scene, theatre (drama, dance theatre, physical theatre), radio, TV and new media (layout/advertising), hard- and software development, teaching and further education.

The FHNW Master of Arts in Composition/Music Theory with an Audio Design Major is aimed at holders of a Bachelor degree in sound design, electronic music, composition or equivalent qualification.

What is the content of the Master in Audiodesign? What does studying at ESB mean?

Studying Audio Design at Electronic Studio Basel: Jaka Arh (Alumnus)


Structure and programme contents

The FHNW Master of Arts in Composition/Music Theory with an Audio Design Major offers students the possibility to specialise in one of three fields:

  • electro-acoustic composition/ live performance / sound and media installation / performance of electroacoustic music
  • recording/production
  • audio design & software development

Specials

  • Eduard Brunner Composition Aware:
    Every year, one of our students is awarded a composition prize worth CHF 5,000 as part of an internal sonic space basel competition.
  • Annual artistic collaboration with a college/university outside Switzerland

Modules and Regulations

The BA and MA degree programmes at the Basel Academy of Music are based on modules.

The legally binding structure provides an initial guide to the content and weighting of the subjects on the degree programme.
The detailed content and modalities of the individual subjects can be found in the module descriptions.
The study regulations come into force together with the study and examination regulations of the Basel Academy of Music FHNW and form the legal framework.

Structure

Structure MA Composition/Music Theory Major Audiodesign  in German

Module descriptions

Below please find the link with all the information on the module descriptions of several FHNW universities.

  • Switch the language settings to English.
  • Filter by semester, Hochschule für Musik Basel FHNW, the desired degree programme or other criteria to display the relevant module information.
  • Use the PDF button to call up a document from each overview and save it for yourself.
  • Course registrations are made via the intranet.

Module descriptions

Study Regulations

Study Regulations MA Composition/Music Theory in German


Lecturers

Volker Böhm

teaser_volker-bohm-049h.jpg
More details

Svetlana Maraš

teaser_svetlana-maras.jpg
More details

Audiodesign

teaser_frank_teaser-2980.jpg
More details

Institut Klassik

HSM_Klassik_Dozierende_Hände_auf_Klavier_mit_Orchester25_Susanna-Drescher.jpg
All Lecturers

Requirements, admission, entrance exam

  • Good skills in recording, producing and sound technology
  • Good in handling diverse editing software (ProTools, Logic, Nuendo, Ableton Live etc.)
  • Basic knowledge about an audio programming environment (PD, Max/MSP, Supercollider or Csound)

In order to enter the FHNW Master of Arts in Composition/Music Theory programme with an Audio Design Major, applicants must be awarded a Bachelor in Audio Design or equivalent as well as they must have passed the entrance exam and were offered a free place at the Academy (limited places). Applicants who have submitted all the necessary registration documents in time will be invited to the online entrance exam by mail and online meeting.
For further information on the admission criteria, please see the Study regulation of the Master of Arts FHNW in Composition/Music Theory.

We expect students to have very good German language skills at the beginning of the studies. Students who are not German native speakers must present a B1 German language certificate according to the Common European Framework of Reference for Languages (CEFR) at the beginning of the studies.
This certificate must be complete, i.e. all modules (reading, listening, writing, speaking) have been tested separately and passed at least at level B1 overall. Only certificates that have been certified with the ALTE-Q-Mark seal of approval (e.g. the B1 certificate of the Goethe-Institut or the telc certificate) are accepted. The required certificate B1 must be submitted with the confirmation of admission but not later than 31 Mai.
Exceptions will be decided upon by the head of degree programme.

General Registration ProcedureAll about Studying in Basel

Entrance exam

The entrance exam is individual for each study programme direction.

Dates

Registration
You may apply between 15th December and 1st March.
Along with the registration, it is mandatory to submit the following documents:

  • A curriculum vitae, a motivational letter, a short biography
  • the school leaving qualification, the Bachelor Diploma and (if available) the Master Diploma
  • A description of two projects to be realized during the Master`s programme
  • Portfolio of projects realized so farsuch asrecordings, film soundtracks, sound installations, recordings of performances, documentation of development projects in the field of hardware/software, etc.

On-Site
The entrance exam by mail and on-site will take place at the end of April. The exact dates may be seen here.

Announcement of the results
The results will be communicated by mail in May.

Procedure

The entrance exam consists of several parts.

Procedure
Practical exam 1 (arrange a given assignment)
On the day before the entrance exam, the candidates receive an assignment by mail which they complete at their studio/at work and return the results after four hours (e.g. by Google Drive, Dropbox, OneDrive, etc.).

Practical exam 2 (On-Site one day after Practical exam 1)
- Presentation of approx. ten minutes of a finalized project
- Interview with the assessment jury


Organisational matters

Hands-on Electronic Studio Basel (ESB)

This study programme is geared as closely as possible to practice and dovetails with the production and research activities of the Electronic Studio. From a very early stage, students are involved in the activities of the Electronic Studio and are also required to initiate and carry out their own projects.

About the Electronic Studio

The Electronic Studio of the School of Music (ESB), situated at the heart of Campus Basel Musik-Akademie, is both an educational institute and a research and production site. It offers a very well equipped recording, production and experimental studio. Furthermore, the ESB organises public concerts, festivals, symposia and workshops.

Besides several high-end recording spaces, the Electronic Studio also has a main control room, two multi-channel studios, a stereo editing station and an electronics workshop at its disposal.

A multitude of electronic instruments and controllers allow for interactive musical and transmedia work and experiments. A flexible, modern sound system enables the Studio to organize all kinds of concerts of electronic music as well as cognitive studies on acoustics and experiments in audio psychology. The Studio also owns several rare, historic electronic music instruments.

In collaboration with the Gare du Nord, the Bahnhof für Neue Musik, the Electronic Studio curates and hosts the NACHTSTROM concert series and also collaborates with other institutions in Switzerland and abroad in the planning and implementation of the most varied artistic productions.

The Studio thus attracts attention far beyond Basel itself. It creates valuable contacts between students and experienced guest composers who realize and discuss their work in the framework of seminars and workshops.

The central location of the Studio, in the heart of the Musik-Akademie, is a determining factor in its conceptual objectives. Its proximity to the instrumental tradition of the house means that it offers an open, stimulating and inclusive musical environment in which creativity can thrive. Electronic music is thus not a field for outsiders in an institute of its own, but an integral part of the culture and teaching activities.

Website

sonic space basel

Website

Elektronisches Studio Basel

sonic space basel

sonic space basel is a platform of Basel Academy of Music for Audio Design (BA and MA), Composition (BA and MA and MA SP), MA SP Creative Interpretation in New Music, Music Theory (BA and MA MP), MA SP New Music Theory, MA SP Open Creation, Continuing Education and Research.
We consider ourselves a laboratory, a communication tool and an information hub for contemporary music.

sonic space basel

Projects / Ensembles

At Hochschule für Musik Basel, students have the opportunity to participate in various project and ensemble programmes.
To the overview of the recurring offers.

Quicklinks
  • Welcome: A brief overview
  • Studying in Switzerland
  • Tuition fees & Financing
  • Scholarship
  • Module descriptions
Files and Regulations
  • Dates Entrance Exam on Site
  • List of works for Entrance Exam
  • Study regulations
  • Semester dates

Advising and information events

Contact

Student Administration Academy of Music, Klassik

Contact for all administrative matters.
Phone
+41 61 264 57 32 (Direct)
E-Mail
klassik.hsm@fhnw.ch
Uli Fussenegger

Prof. Uli Fussenegger

Head and Coordination Contemporary Music
Phone
+41 61 264 56 19
E-Mail
uli.fussenegger@fhnw.ch

Information events

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Registration

The next registration window is open from 15th December to 1st March.

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