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The FHNW comprises 10 schools with different specializations. Select a school to see its specific courses, study programmes and information.

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    • Enrolment at the HGK Basel
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  • Study Internationally

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    • Outgoing students
    • Internship
    • Partner universities
    • German language courses
  • Continuing education offerings

    • All continuing education programmes
    • MAS - Master of Advanced Studies
    • CAS - Certificate of Advanced Studies
    • Modules
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  • All about continuing education

  • International Office

    • Mobility for academics and staff
    • Study Internationally
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  • About the Basel Academy of Art and Design

    • Management and organisation
    • People directory
  • Institutes

    • Institute Art Gender Nature
    • Institute Arts and Design Education
    • Institute Contemporary Design Practices
    • Institute Digital Communication Environments
    • Institute Experimental Design an Media Cultures
  • Campus and Infrastructure

    • CIVIC
    • Media Library Basel
    • der TANK
    • FoodCultureLab
    • Café Freilager and Bistro of the Arts
    • Sport
    • Studi-Lounge
    • Accessibility & Facilities
  • Campus.Workshops

    • Sculptor’s studio
    • Bookbinding
    • Digital Fabrication Lab
    • Woodworking
    • Plastics
    • Paint shop
    • Media.Workshop
    • Metalworking
    • Sewing.Island
    • Screen printing

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PhD Projects

Ana Belén Palacios, Basel Academy of Art and Design

Basel Academy of Art and Design


WomenAmasamientoNature: A historicization of Ecuadorian women’s socionatural ontological design practices

ana-belen_header.jpg

Project details

University
Basel Academy of Art and Design / Institute of Experimental Design and Media Cultures

Fall Semester 2024

This research explores Ecuadorian women’s socionatural ontological design practices and knowledge production in the Amazonian, Andean, and Pacific territories of Ecuador through their oral tradition and living memory. In Latin America, women and nature have been designed as concepts fixed in the coloniality of gender and the nature-culture divide, subjecting both as resources for exploitation (Lugones, 2018; Walsh, 2015). Nevertheless, the stories told by women disclose their diverse interactions with nature rooted in modern and non-modern temporalities, transcending these predesigned concepts. Their designed lifeworlds embody healers, witches, housewives, shamans, weavers, abortionists, and midwives, among others. Interpreted as socionatural experiences, they create a space of resistance against epistemic injustice (Barrera, 2021; Lara, 2005). This study employs literature review, testimonio, and speculative design methods to explore Ecuadorian women's oral traditions and living memories, inquiring into their knowledges and practices. Drawing on scholarship from history, gender studies, decolonial studies, Andean and Amazonian philosophy and medicine, this work advocates for a radically contextual and situated understanding of design. The results will advance in-depth characterizations of specific Ecuadorian design practices and provide a conceptual instrument to further analyze other situated ontologically oriented design practices. Moreover, they will also contribute to establishing design as a relational space to bring women's conocimientos y saberes to the forefront, shedding light on their experiences within the intersections of coloniality, gender, and nature.

Supervisors

Prof. Dr. Claudia Mareis & Univ.-Prof. Dr. Florian Sametinger

Ana Belén Palacios

Ana Belén Palacios is a designer and design researcher. She holds an M.A. in Open Design from Humboldt University of Berlin and Universidad de Buenos Aires. She is a Ph.D. candidate in the MAKE/SENSE Program. Her professional experience as a designer in various Latin American countries and Germany allowed her to engage with diverse communities to ground design in local histories. She witnessed firsthand how mainstream design can contribute to cultural assimilation and recognized the potential for local design to act as a form of resistance. These experiences inspired her interest in examining design's social and political implications as a world-making practice. Her research explores design as agent of either cultural colonization or emancipation of women's lifeworlds in Abya Yala (known as America in Kuna). Her work draws on Andean philosophy, feminism, decoloniality, and design.

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